Digging it

"You know in films where men who are about to be killed are made to dig their own graves?" asked Naomi, as I looked around nervously.  We were in our usual spot in our usual place, and it was a warm and happy night, seemingly tailor-made for writing a very silly play.  A breeze was drifting in from the river, carrying with it the sound of excited gulls and cool jazz music.  Naomi had spent the day with her fellow, digging a hole.  He was now exhausted, apparently, after doing all the spade work in the blistering sun.  He was at home, relaxing his aching bones and watching Martin Scorsese films.  Or at least I hoped he was.  I thought about sending him a text message, just to see if he was actually still alive.  "Do you think," she continued, sipping thoughtfully on her beer, "Do you think they know they're about to die when they dig their graves?  And do you think it really happened, or is it made up for films?"  I wondered if we could add a scene into the script in which New York wiseguys are whacked at night in the lonely LA desert after being forced at gunpoint to dig their own graves by a rival set of mobsters. Fogeddaboudit.

X marks the spot for Dr Frankenstein and friend.

We talked a bit about hangovers, childhoods in Wiltshire, the costs of weddings, anxiety attacks, and street parties.  But mostly we ploughed through with the script, and laughed a lot.  We're making excellent progress.  Then my laptop died at precisely 10pm, and as angry gulls started attacking the jazz musicians, we called it a night.

Death to Hipsters

For the second time, someone had taken our usual seat at the table in the corner by the window.  A young man nursing a pint and fiddling with his phone.  He looked like a hipster.  I briefly considered killing him and dumping his body in the river.

Dr Who (William Hartnell) reads the welcolming sign for London's East End

We talked about astonishing acts of valour in WW2, epic doomed love affairs from the 1990s, Whistler's Mother, how to cook a perfectly edible lasagne in a slow cooker, and decapitation.  At least one of those things made its way into the script.

We are now into the second part of the Thing We're Doing, and it was really good fun setting up characters, repeated gags and situations.  At one point Naomi weirdly started acting out a complicated stage direction but it looked to me like she'd dropped something on the floor and was trying to cover up for it.  Then I dropped my notebook on the floor but Naomi had gone to the bar so she didn't see it.  I think the hipster who had stolen our seat saw me drop my notebook, which gave me another reason to kill him. 

We made good progress and laughed a lot and nobody died. You couldn't ask for much more from a writing session.

A Moose Goes into Anaphylactic Shock

anaphylactic shock

noun

Medicine

noun: anaphylactic shock; plural noun: anaphylactic shocks

1. an extreme, often life-threatening allergic reaction to an antigen to which the body has become hypersensitive.

   
   

   

    A moose, yesterday.

    

   We discussed venues, dates, and exciting plans for the Next Big Thing.  We're nothing if not very modestly ambitious.  Naomi had returned from Canada having left behind a bit of the flesh of one of her big toes, which took some explaining, and involved rather grizly diagrams.  There are lots of bears and moose in Canada, but none of them came back with Naomi.  That we know of.

   I remembered a birthday party I had attended, aged around seven, where a poor lad had gone into anaphylactic shock, just before episode three of the Dr Who story "The Face of Evil".  Someone very clever could probably piece together the plot of what we're writing based on all the nonsense I put in these blog posts, and I'd actually love to read what they come up with.  It might even make more sense than the very silly thing we're doing.

   
   

   After all that we bashed away at some of the script, and Naomi has taken away what we've got so far to finish it up at home, with her pet moose.  We're just about there with a first draft of this segment of the play.  But there's lots and lots more to do, and we're really just getting started.  Just you wait till we get to the bit with the thing that does the thing with the thing and we reveal that the thing is actually the thing with the thing, only German.